Framed oil painting of a female tennis player in a neon yellow outfit mid-swing on a green and blue court, inspired by the book “Carrie Soto Is Back” by Taylor Jenkins Reid, which is also displayed beside the painting on a white shelf.

Break Point: When Art, Sport, and Storytelling Collide

In the world of sports, there are moments that transcend the game—moments where raw strength meets personal history, and where a single point becomes symbolic of something much greater. My painting Break Point was born from one of those moments, deeply inspired by Taylor Jenkins Reid’s novel Carrie



This 11x14” oil painting on canvas board captures a female athlete mid-serve, her body taut with focus and fire. Her neon yellow dress—a deliberate nod to the color of the tennis ball—glows with intensity, a visual echo of her drive. Like Carrie Soto, she is bold. Sharp. Relentless. She plays not just to win, but to prove something—to herself, and to the world that constantly doubts women in positions of power and physical dominance.


Reid’s novel centers on retired tennis legend Carrie Soto as she stages a comeback in her late thirties—an age many in sports consider past prime. “I am fierce,” Carrie tells herself. “I am unrelenting. I am the best there ever was.” These aren’t just affirmations; they are survival tactics in a world that scrutinizes women’s bodies, tempers, and choices more harshly than men’s.


Micro-aggressions, Both On and Off the Court

As I painted Break Point, I kept thinking about the countless micro aggressions women athletes endure. From being told they’re “too emotional” to being asked to smile more, or facing subtle doubts about their commitment, strength, and legitimacy. Carrie Soto experiences this in nearly every interview, every match, every headline. She’s called “too aggressive,” “too cold,” “too ambitious.” She is praised only when she is palatable—when she softens her edges.


But what if those edges are the very things that make her great?


In creating this piece, I wanted to reject the idea that femininity and athleticism are mutually exclusive. The neon dress in Break Point isn’t just for show—it’s loud. Unapologetic. Fast and striking like the player herself. The composition, with bold shadows and a stark angle, speaks to a world that often views strong women from skewed perspectives—watching, judging, yet never fully understanding.


The Power of Representation

Art, like literature, has the power to reframe narratives. When I read about Carrie Soto—aging, Latina, defiant—I saw someone who refuses to let the world define her limits. That’s the energy I hoped to capture on canvas: the fierce determination that says, I belong here. I’ve earned this. Watch me take my shot.


In a time when we’re still fighting for equal prize money, media coverage, and respect for women in sports, representation matters more than ever. Break Point is a small tribute to that fight—a visual rally cry for those pushing against the boundaries set for them.


As Carrie says, “I don’t need them to like me. I need to win.” And sometimes, winning means simply showing up, again and again, stronger each time.

 

Framing the Moment

Break Point is available as an original oil painting (11x14”, canvas board), ready to be framed and displayed. Whether you’re a tennis fan, a feminist, or a collector of bold, empowering art, this piece brings more than aesthetics—it brings a story. A challenge. A statement.

Watch the painting process on my instagram.

Back to blog